Hazel Antaramian Hofman
Artist Member of Fig Tree Gallery
644 Van Ness Blvd
Fresno, CA  93721

FILM AND PAINTING

Maximum Load -1

2nd Annual Madrid Art Film Festival

September 29, 2017 to September 30, 2017

Madrid Art Film Festival


Maximum Load-1

Movie • 25 min 24 sec • Documentary
Completed Aug 2016

The filmmaker goes back to her birthplace to find a little girl in a photograph taken by a forgotten guide at an ancient settlement museum in Armenia.



Synopsis
In search of a young girl in a black and white photograph taken with the filmmaker in 2006, in ancient settlement of Dvin, Armenia, at the local site museum. Upon the filmmaker's return to her birthplace, after 40 years since her Stalin-era repatriate parents left the Soviet Union in 1965, the image embodies matters of immigration in terms of ‘searching for home,’ lost childhood, and blank memories, as it is framed by current political protests in the Republic of Armenia and the people's search for democracy. These documentary events add to the unfolding of the story of the photograph and the last 70 years of Armenian immigration and emigration, as the prequel to the feature documentary, whose focus looks at Russian-dependence, promised democracy and the persistence of Homo sovieticus.

MARCH 2017 Solo Exhibition at
Fig Tree Gallery 

Art Exhibition
Embroidered Mise-en-Scene

Window on to Kond, 2017

Acrylic on Canvas

Now showing at Fig Tree Gallery


See Fresno Bee Art Picks by Don Munro


VIDEO


Past EXHIBITIONS

644 Van Ness Blvd., Fresno, CA  93721

see Calendar



Shoes I, Fall 2015


Photographs of 2015 Solo Exhibition Opening 
at Fig Tree Gallery (below)

Wishing Tree: Landscape I and II

2015 

Statement


My drawings and paintings symbolize the 'fragmentation' of displaced people, stemming from issues of cultural identity and the struggle to maintain the continuity of tradition.  At the same time, the works are statements of hope, survival, and spirit.  


I am equally interested in the medium of (digital) film as it offers opportunities of displacement of content and place by way of motion, displacement of content and time by way of thought and memory, and the symbolism behind the storytelling.


See Gallery.



Image and Text of Post-World War II Armenian Repatriation PROJECT

PHOTO BELOW:  American-Armenians Bobby Maynazarian (left), Paul Antaramian (center), Johnny Kadekian (right) sailing from New York to Soviet Armenia on the Rossiya in 1947.  Photo courtesy of Paul Antaramian.  Copyright 2012.

I am fascinated by the historic migration of humans, both forced and voluntary, and the cross-cultural aspects of such social issues.  As a young child I never fully understood my place within this anthropological phenomenon, that is, being born in the Soviet Union to an American-Armenian father and a French-Armenian mother at the height of the cold war.  I have now come to address this part of who I am, through the lives of the post-World War II Armenian repatriates.  My project documents the historic and ethnographic path of Armenians in the Diaspora from the 1940s to the 1960s.  While my parents came from the United States and France, other families came from Egypt, Lebanon, Syria, Iraq, Iran, Palestine, Hungary, Bulgaria, Greece, Cyprus, China, among other countries.  


My work is multifaceted, in that it encompasses writingstudio art, and lecture presentations, all inspired by the history of the repatriation, including collected ethnographic photographs and stories from my personal interviews.  I am humbled to hear the stories from those who experienced this time of history and lived under the ruthless regime of Josef Stalin.  During interviews, I am emotionally moved when I see tears in the eyes of repatriates recounting their stories.  These are the young children and youthful adults, who, at the time, were compelled to leave their hometowns with their families to an unknown Sovietized Armenia.  The movement was not necessarily a "repatriation" since hardly any were born in the small fragment of  Armenia that remained.  Many of those who responded to nationalistic appeals in the late 1940s, which were made by repatriation committees and other organizations, fled the Ottoman Empire during the turn of the 20th century.  Their nostalgic gesture to uproot their "diasporan" families to the land they thought was ancient Armenia was met with despair: psychologically, spiritually, economically, and physically.  

 

This website is a work in progress with the on-going task of providing additional excerpted video interviews of repatriates, along with more archival photographs, artwork, and links to other sources on the subject.  The site also informs interested viewers about upcoming events, including lecture presentations, exhibitions of my work, and future plans on the historical and ethnographic documentation of the post-World War II Repatriation to Soviet Armenia.


The following provides a brief description of the lecture presentation associated with this project.  Please feel free to contact me about it and include "repatriation lecture" in the subject line:  [email protected]


Artist and Lecturer: Hazel Antaramian Hofman, M.A., M.Sc.

Approximate Time: 60 minutes

Presentation Format and Content: Illustrated PowerPoint/Video format, the lecture of the ethnographic history of the post-WWII Armenian Repatriation is primarily comprised of selected accounts and biographical information from interviews of surviving repatriates, selected black and white photographs, and archival material.  As an artist, I respond to this history with art, music, but most of all, with the stories and images that I have collected from interviews of repatriates. I use these sources to provide the audience with a unique understanding and appreciation of early cultural life in Soviet Armenia from those who directly experienced this little known historical event during the final years of Stalin's grip on the country.